{"id":1847,"date":"2019-04-01T10:01:41","date_gmt":"2019-04-01T10:01:41","guid":{"rendered":"https:\/\/a2dv.onesource.pt\/aquiles-delle-vigne-criticas\/"},"modified":"2019-04-08T16:03:47","modified_gmt":"2019-04-08T16:03:47","slug":"aquiles-delle-vigne-criticas","status":"publish","type":"page","link":"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-criticas\/","title":{"rendered":"Aquiles Delle Vigne &#8211; Cr\u00edticas"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"1847\" class=\"elementor elementor-1847 elementor-415\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-ae59d37 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"ae59d37\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3eb7b73\" data-id=\"3eb7b73\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2ecb617 elementor-widget elementor-widget-template\" data-id=\"2ecb617\" data-element_type=\"widget\" data-widget_type=\"template.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-template\">\n\t\t\t\t\t<div data-elementor-type=\"section\" data-elementor-id=\"4735\" class=\"elementor elementor-4735 elementor-465\">\n\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-a065a71 elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"a065a71\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6d1799d\" data-id=\"6d1799d\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-886a688 elementor-nav-menu__align-right elementor-nav-menu--dropdown-tablet elementor-nav-menu__text-align-aside elementor-nav-menu--toggle elementor-nav-menu--burger elementor-widget elementor-widget-nav-menu\" data-id=\"886a688\" data-element_type=\"widget\" data-settings=\"{&quot;layout&quot;:&quot;horizontal&quot;,&quot;submenu_icon&quot;:{&quot;value&quot;:&quot;&lt;i class=\\&quot;fas fa-caret-down\\&quot;&gt;&lt;\\\/i&gt;&quot;,&quot;library&quot;:&quot;fa-solid&quot;},&quot;toggle&quot;:&quot;burger&quot;}\" data-widget_type=\"nav-menu.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t<nav migration_allowed=\"1\" migrated=\"0\" role=\"navigation\" class=\"elementor-nav-menu--main elementor-nav-menu__container elementor-nav-menu--layout-horizontal e--pointer-underline e--animation-fade\">\n\t\t\t\t<ul id=\"menu-1-886a688\" class=\"elementor-nav-menu\"><li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-837\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquilesdellevigne\/\" class=\"elementor-item menu-link\">Aquiles Delle Vigne<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1853\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-biografia\/\" class=\"elementor-item menu-link\">Biografia<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1854\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-criticas\/\" class=\"elementor-item menu-link\">Cr\u00edticas<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1855\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-discografia\/\" class=\"elementor-item menu-link\">Discografia<\/a><\/li>\n<li class=\"menu-item menu-item-type-custom menu-item-object-custom menu-item-has-children menu-item-803\"><a class=\"elementor-item menu-link\">Publica\u00e7\u00f5es<\/a>\n<ul class=\"sub-menu elementor-nav-menu--dropdown\">\n\t<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1856\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-viaggio-nellintimo-di-un-pianista\/\" class=\"elementor-sub-item 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href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-trading-in-students-and-snipers\/\" class=\"elementor-sub-item menu-link\" tabindex=\"-1\">Trading in students, and snipers<\/a><\/li>\n<\/ul>\n<\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1858\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-masterclasses\/\" class=\"elementor-item menu-link\" tabindex=\"-1\">Masterclasses<\/a><\/li>\n<li class=\"menu-item menu-item-type-post_type menu-item-object-page menu-item-1859\"><a href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-fotos\/\" class=\"elementor-item menu-link\" tabindex=\"-1\">Fotos<\/a><\/li>\n<\/ul>\t\t\t<\/nav>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4a5fa4d7 elementor-section-content-middle elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"4a5fa4d7\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-553866d8\" data-id=\"553866d8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9185179 elementor-widget elementor-widget-heading\" data-id=\"9185179\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h4 class=\"elementor-heading-title elementor-size-default\">Aquiles Delle Vigne<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-45cf3a88 elementor-widget elementor-widget-heading\" data-id=\"45cf3a88\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Cr\u00edticas<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-6faa927 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"6faa927\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4aac8a3\" data-id=\"4aac8a3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-c43fa01 elementor-widget elementor-widget-text-editor\" data-id=\"c43fa01\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t<p style=\"font-weight: 400;\">&#8230;<em><strong>Only a few pianists can go from a sparkling Mendelssohn<\/strong>\u00a0<\/em>(Double Concerto for piano and Violin, with Alberto Lysy and Lord Yehudi Menuhin)<em>\u00a0<strong>to a thundering Liszt\u00a0<\/strong><\/em>(12 Etudes d\u2019Ex\u00e9cution Trancendente)\u00a0<strong><em>while passing an aristocratic, sophisticated and charming Ravel<\/em><\/strong>&#8230;<strong><em>\u00a0<\/em><\/strong>(Gaspard de la Nuit and Miroirs)<\/p>\n<p style=\"font-weight: 400;\">Harold Schoenberg,\u00a0<em>The New York Times<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>From silence till steed power<\/em><\/strong>&#8230;<strong><em>\u00a0<\/em><\/strong>(De Falla\u2019s Fantasia B\u00e9tica, Liszt\u2019s Dante\u00a0Sonate, C minor Polonaise and Brahms\u2019s F\u00a0minor Sonate)<\/p>\n<p style=\"font-weight: 400;\"><em>SVZ Salzburger Volkszeitung,\u00a0<\/em>Salzburg<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\"><em>&#8230;<\/em><strong><em>Aquiles Delle Vigne,\u00a0fantastic pianist and artist,\u00a0impossible to be compared<\/em><\/strong>&#8230; (Debussy\u2019s Pr\u00e9ludes)<\/p>\n<p style=\"font-weight: 400;\">Pierre-Petit,\u00a0<em>Le Figaro,\u00a0<\/em>Paris<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>In every sense, a Master recital. He moved on to twilight recital\u2019s major section with Ravel\u2019s Gaspard de la Nuit and Miroirs. This was a splendid playing, grappling with phenomenal technique in Alborada del gracioso, Ondine and Scarbo<\/strong><\/em>&#8230;<em><strong>\u00a0It was an engrossing exhibition of how to realise the brilliant colour of Ravel\u2019s passage of virtuosity<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Clive 0\u2019Connell,\u00a0<em>The Age,\u00a0<\/em>Melbourne<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Great monument to Beethoven\u2019s and Schubert\u2019s Sonates<\/em><\/strong>&#8230;<strong><em>\u00a0Transcendent artist and sublime pianist<\/em><\/strong>&#8230;<em><strong>Monolithic Beethoven\u2019s op. 111<\/strong><\/em>&#8230;<strong><em>\u00a0Schubert\u2019s D. 960 dramatic, grandiose and phenomenal virtuosity<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Lluis Trull\u00e9n,\u00a0<em>ABC,\u00a0<\/em>Barcellone<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">\u2026<em><strong>In Aquiles Delle Vigne piano meets its master. Amazing Liszt\u2019s Sonate in b minor! The performance was a full demonstration of control of\u00a0 the music and bend it to his will<\/strong><\/em>&#8230;<strong><em>\u00a0Full of sound and fury<\/em><\/strong>&#8230;<strong><em>\u00a0The 24 Pr\u00e9ludes, by Chopin, with noble and grandiose conception<\/em><\/strong>&#8230;<em><strong>\u00a0Great moment of pure Music<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Charles Branning,\u00a0<em>Caller Times, Forth Worth Star-Telegram<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>During the Ravel\u2019s Concerto for the Left Hand, Aquiles Delle Vigne played with a formidable interpretation, powerful and dramatic<\/strong><\/em>&#8230;<em><strong>\u00a0He is able to galvanise all the virtuosity problems and give us a show of his stupendous and incredible abilities<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Maria Teresa Castrillon,<em>\u00a0El Heraldo de Mexico<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>A prince of the piano<\/strong><\/em>&#8230; (Beethoven\u2019s Sonates op. 57 and op. 111 and Piazzolla Tangos)<\/p>\n<p style=\"font-weight: 400;\"><em>La Repubblica,\u00a0<\/em>Rome<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>Grand Seigneur of Pianists<\/strong><\/em>&#8230; (Debussy\u2019s Pr\u00e9ludes)<\/p>\n<p style=\"font-weight: 400;\">PRS,\u00a0<em>Rheinische Post<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\"><em>&#8230;<\/em><em><strong>Aquiles Delle Vigne plays with the sound of a Symphonic Orchestra. His style is vigorous, robust, with conviction and without any doubt<\/strong><\/em>&#8230; (Beethoven\u2019s Eroica Variationen and Chopin\u2019s Second Sonate)<\/p>\n<p style=\"font-weight: 400;\"><em>Courant Telegraaf<\/em>, Den Haag<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\"><em>&#8230;<\/em><strong><em>Pianist grandiose<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Franz den Herder,\u00a0<em>Leider Dagblad<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Like his master Claudio Arrau, Aquiles Delle Vigne plays with a noble, inspired and sublime style: with fluid interior and passionate colour<\/em><\/strong>&#8230; (Mozart\u2019s\u00a0C minor and Schumann\u2019s C majeur Fantaisies)\u00a0<strong><em>Memorable Liszt\u2019s Sonate!: passion, force, tension, transcendental virtuosity, power, conviction and above all noblesse<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Alfred Hoffmann,\u00a0<em>Actualitatea Muzicala,\u00a0<\/em>Bucaresti<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>Sublime Beethoven\u2019s Fourth Concerto<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\"><em>O Globo<\/em>, Rio de Janeiro<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\"><em>&#8230;<\/em><em><strong>Overwhelming Liszt\u2019s Second Concerto, grandiose interpretation. Octaves and thirds with meteoric clarity<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Enrique Hernandez,\u00a0<em>La Prensa,<\/em>\u00a0Buenos Aires<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Aquiles Delle Vigne, powerful and mercurial pianist<\/em><\/strong>&#8230;\u00a0<em><strong>Magic, marvellous Ravel<\/strong><\/em>&#8230; (Miroirs)\u00a0<strong><em>Impressive Mussorgski<\/em><\/strong>&#8230; (Pictures)\u00a0<strong><em>Other four \u2018encores\u2019, in the line of the great \u2018Romantik\u2019 of the piano<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Nini Ganguzza,\u00a0<em>La Sicilia,\u00a0<\/em>Teatro Massimo<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>Aquiles Delle Vigne, real giant of the piano<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Pieter Van Heen,\u00a0<em>Muziekjournaal,<\/em>\u00a0Den Haag<\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Liszt\u2019s fire for Delle Vigne\u2019s passion<\/em><\/strong>&#8230; (Liszt\u2019s Concerto N\u00b0 2)<\/p>\n<p style=\"font-weight: 400;\">Fulvia Conter,\u00a0<em>Giornale de Brecia<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Real sublime during the Beethoven\u2019s Emperor Concerto with the National Orchestra and Georges Octors<\/em><\/strong>&#8230;\u00a0<strong><em>Steel structure and spirit<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Alice Libert,\u00a0<em>La Libre Belgique<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Exciting and exalted Beethoven&#8217;s Fantasia for Piano, Ch\u0153ur and Orchestra<\/em><\/strong>&#8230;\u00a0<strong><em>virtuosity, temperament, overwhelming<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Magdal\u00e8ne Cotte,<em>\u00a0La semaine musicale d\u2019Anvers<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Aquiles Delle Vigne and Alberto Lysy, at Menuhin Festival in Gstadt, full pianistic noblesse,<\/em><\/strong><strong><em>\u00a0\u2018Seigneurs de la Musique\u2019<\/em><\/strong>&#8230;\u00a0(Ravels\u2019s integral for piano and violin)<\/p>\n<p style=\"font-weight: 400;\">Der Bund,\u00a0<em>Bern<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>Aquiles Delle Vigne, world-class pianist, began the Concerto and put the listeners into spell. It was absolutely magic<\/strong><\/em>&#8230;\u00a0<em><strong>His technique was obviously grandiose and impeccable<\/strong><\/em>&#8230;\u00a0<strong><em>A performance to remember<\/em><\/strong>&#8230; (Beethoven\u2019s Concerti N\u00b0 3 and N\u00b0 4)<\/p>\n<p style=\"font-weight: 400;\">Natchar Pancharoen,\u00a0<em>Bangkok News<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<em><strong>Aquiles Delle Vigne, temperament and passion to serve the Music<\/strong><\/em>&#8230;<\/p>\n<p style=\"font-weight: 400;\">Jacques Steheman,\u00a0<em>Le Soir<\/em><\/p>\n<p style=\"font-weight: 400;\">\u00a0<\/p>\n<p style=\"font-weight: 400;\">&#8230;<strong><em>Prodigieuse interpretation of the De Falla\u2019s Fantasia B\u00e9tica<\/em><\/strong>&#8230;<\/p>\n<p style=\"font-weight: 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can go from a sparkling Mendelssohn\u00a0(Double Concerto for piano and Violin, with Alberto Lysy and Lord Yehudi Menuhin)\u00a0to a thundering Liszt\u00a0(12 Etudes d\u2019Ex\u00e9cution Trancendente)\u00a0while passing an aristocratic, sophisticated and charming Ravel&#8230;\u00a0(Gaspard de la Nuit and Miroirs) Harold Schoenberg,\u00a0The New York Times \u00a0 &#8230;From silence till steed power&#8230;\u00a0(De &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/a2dv.pt\/pt-pt\/aquiles-delle-vigne-criticas\/\"> <span class=\"screen-reader-text\">Aquiles Delle Vigne &#8211; Cr\u00edticas<\/span> Read More 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